I brought them homework to The Green Theater at. There was already a long line, we handed out first flyers. Then newcomers took sheets from the boxes. Surely, not all had flyers because fewer than all came in advance and doors were opened at. After the line was rearranged by the police. When the doors opened, newcomers wouldnt be interested in getting sheets, because everyone had a target for the evening to get to the show, not take part in a flash mob. Photos are provided by Anna minkina and Anton Chernov. 16643 beiträge, seite. 38, 39, 40, 41, 42, 43,.
Certainly, we couldnt control their appearance in a crowd. Natasha kirsanova, a moderator of a community Club2224 and an employee of a concert agency, who arranged the show, suggested using coloured smoke and resolved a question to obtain a permit for the flash mob. Then a challenge was in finding a good product with minimum budget and getting enough coloured smoke for our flash mob. You make up a text, place it on the sheet so that the text would be seen and send it to a printing-office. The problem was again only in finding money to pay for the print works. We carried out a whip round on the Internet among the bands fans and got necessary amount of money for preparation. The evening before the concert ive got two big boxes of flyers at my apartment.
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Usually these people arrange flash mobs at the bands shows in Russia. We all were very nervous. After the showings we have got many warm words. I thesis heard that one girl walking out from the hall told her companion: I did not want to cry, but nonetheless I did. Its fabulous that our film caused a plenty of feelings from people.
I have seen them in the eyes and heard from them who wanted to tell me something. Its the most essential and necessary feedback which makes up all scope of spent emotional energy and gives new power for further projects. About flash mobs at the show on July 4, 2015. We would like to do something bright like the cover of the album loud like love. At the beginning I thought about holi paint, but we refused of this idea, because the paint could muck everything and it is not recommended for asthmatics and allergics.
Especially i would like to mark three people whom I worked directly with. First, its ivan Shaderov with him we started the project, were making up and discussing. Without ivan we wouldn't have the whole crew with Slava berezovskiy and Aleksey naimushin at the head. Aleksey is a real professional who works exactly and knows how to achieve the targeted result. As for me Aleksey stands side by side with Emmanuel Lubezki. Whereas Slava is not only very talented young film director, he is the perfect partner in acting.
We played together in Moscow scene which was not included to the film. Playing with him was a real pleasure. Its symbolic that we shot this scene on 4th of november, in The Unity day. First showings took place in Moscow and Krasnoyarsk. The main target was that our friends and mates could watch a result of the project which we were living with more than a half of the year. That's exactly why first showings took place in cities where members of the crew lived. Also in Moscow moderators of the largest unofficial community on vkontakte dedicated to Placebo Club2224 attended.
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After watching i immediately called Slava and started talking something unlanguaged because of emotions. Only the next day, probably, the i believed that film was made and it was made. The crew is the most important for me in this project. I was impressed that everyone was working only for the enthusiasm and idea. What is more, most people who worked in the project, didnt have special education connected with film shooting, but out work was done at the professional level. Im really thankful to all writing my crew for what our film worked out. The film would be absolutely different if it wasn't for these people. Maybe it wouldn't become real at all without them.
But i absolutely trusted Slava and Aleksey and knew that they would do their best for our project. Perhaps, the most memorable moment was when Slava sent me the complete film. I was watching it and I couldnt believe that this idea about making a film would come to life in such a wonderful way. Certainly i understood that guys were filming fantastically and I have seen some separate scenes. But there were unspeakable emotions when I was watching «The revelation» for the first time from the beginning to the end. Especially that it was the first film-project for. Im always occupied with something creative: writing poems, singing, playing on stage, taking photographs. But I haven't been doing any film-projects before because i understood that it was a titanic work and you needed a powerful crew for making a high-level film. I saw the idea which came in life in a fantastic way in my opinion.
most essential thing mutual understanding. There are four time zones between Moscow and Krasnoyarsk. Moreover, except the film we had our own business (studying or working). But when you are burning with the idea you find the ways to pull through the challenges. We sent messages to each other on vkontakte, kept in touch by skype or called on the phone. It was hard for me that all events were going 3400 kilometers away from. And I couldnt take part in filming process immediately and be in the center of events. Something we discussed, about other things i knew when they had happened.
Ivan engaged our hippie film director Slava berezovskiy and amazing director of photography Aleksey naimyshin. At the end of October film shooting started in Moscow and Krasnoyarsk. At the beginning we planned that there would be two film crews in two cities, but soon, due to the technical reasons, we refused of this idea. And the movie was fully filmed in Krasnoyarsk. Shooting was finished in the middle of January. At the end of it the film was completely edited because film shooting and editing were done at the same time. Slava is only one from the whole crew with whom i've met and communicated not only by the Internet or phone calls.
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«The revelation» film showing dedicated to Placebo 20th anniversary and inspired by bands music took place in Moscow and Krasnoyarsk on February the 6th. Anna minkina, one of the creators of the film, told us about how a concept of the revelation appeared and then sprang to life. At the moment Anna takes course of a producer in the Graduate School of Performing Arts. Concept of the film came one july evening when I was talking to other essay Placebo fans online. We were discussing Placebo's 20th anniversary and thinking about some kind of present for them. First, there was a talk about video-congratulation from fans. At that moment I thought: Why not making a real professional film as far as possible with no budget, which plot would be based on texts of Placebo songs and our associations with them? A young guy from Krasnoyarsk ivan Shaderov came into my life through our common mates. We started talking about this idea and discussing the project.